“Dah laß ma uns net tangieren, des schorm ma obai”
A comparative exhibition initiated by the Dachau artist “gigi” was to be a critical-artistic approach to deal with the meaning and the events surrounding the traditional “Dachau Castle Exhibition”.
“At the invitation of the participating artists, I developed a space-sound performance.
First of all, it was about the role of the “cultural city of Dachau” and its striking attempt to cover up a historical “flaw”.
This shows a museum-conserving attitude of the city to remain in the familiar, in the promising, and with this label – as a privilege of good taste – to reduce the procreative conditions of the creative to effect and effect, and thus to sterilize them.”
Programm “Schlosstangente” 1988
Süddeutsche Zeitung August 8, 1988: Sound installation and performance by Wolfgang Hauck
Press comments on the exhibition „Querformat“
To anticipate the highlights right away, it is necessary to mention first Wolfgang Hauck, who deserves a special mention with his versatility (jewelry, painting, metal sculpture and not least because of the construction of his archaic musical instruments).
Without going into the artistic and philosophical content of his various works, he must be credited with perfectionism in his approach to his works and their realization.
Pfaffenhofener Kurier, November 6, 1985
Pfaffenhofener Kurier, November 1985
Release: November 17, 2020